Showing posts with label History. Show all posts
Showing posts with label History. Show all posts

Soccer, Wine and South Africa

Jun 11, 2010

Today marks the beginning of FIFA World Cup 2010. In Johannesburg, the competition opened between the host country South Africa and Mexico. It was an exciting match with Mexico favoured to win but the South African footballers had their game together and scored early in the second half. Shortly after Blanco came on the field, Rafael Marquez tied it up for Mexico and the final score sat at 1-1. 

I watched the game at my father's place this morning and though I'm not the biggest soccer fan in the world I had the chills when Siphiwe Tshabalala scored the first goal of the game and the crowd in Johannesberg howled with excitement. It wasn't quite noon but I sipped some wine and smiled for the boys, for the country of yellow and green.

WINE AND SOCCER
I also realized today how complex and beautiful soccer can be. When I was young, I enjoyed hockey and football but the arts became my favoured past time. I hardly watch North American sports but I found myself captivated by today's game. 

Soccer is a continuous game. The pauses are brief, the action is on-going. True, there are some slow points , a few dull turn-arounds, but like any good novel or film, the gradual shift in tempo from the moderate to the fast can be exhilarating. The best plays come off orchestrated, dramatic and timely as if they were composed in the balance of passes, headers and honed strikes. 

Like a good wine, soccer is about finesse and finish and today's game satisfied me in a way wine typically does. The two are linked in their ability to banish care and unite the world. 

SOUTH AFRICA: HISTORY INSPIRED BY WINE
This is the first time South Africa has ever held the World Cup. The euphoria there must be intoxicating. The rich and the poor, the black and white, once segregated by apartheid are all celebrating today's game. In the world of soccer, the fans are united by their team and nation. 

It amazes me the link between the sport and the seductive beverage of civilization. Wine first came to the country in the wake of Dutch exploration. Jan van Riebeeck, the first governor of the Cape colony planted the first vines using varieties sourced from France, Germany and Spain. It was Riebeeck's belief that the crews of Portuguese and Spanish vessels had less incidence of scurvy because of wine consumption. After a failed first effort, the governor reported success on February 2, 1659 in a famous diary entry: "Today, praise be to God, wine was made for the first time from Cape grapes."

In 1657 Riebeeck decided that employees of the Dutch East India Company should be freed of their duties and given land in order to get more agricultural output out of the newly discovered land. This decision was ultimately shadowed by the institution of slavery. Dutch ships carried enslaved men, women and children from the coastal areas of eastern African and Mozambique to the colony.

Simon van der Stel replaced van Riebeeck as governor in 1679 and established South Africa's second city, Stellenbosch (named after himself - 'the forest of Stel'). In the 1680s, French Protestants known as Huguenots fled their homeland, escaping religious persecution. Many came from Provence and brought their winemaking skills to a new settlement further inland aptly named Franschhoek (Dutch for 'French Corner'). By the end of the century, with the help of the new settlers, Van der Stel developed Constania, the first major winery just south of Cape Town. 

KWV, APARTHEID AND WINE
The British took over South Africa in 1795 but slavery didn't end until 1834. The troubles between races continued but on the bright side the British were able to open trade for the country.  Vines increased from 13 million to 55 million with 4.5 million liters produced annually. Vin de Constance, a sweet white wine made from Muscast de Frontignan grapes became the prized drink of Jane Austen, Frederich the Great and Napoleon who requested a bottle on his death bed.

There were other troubles fermenting. The climate of South Africa proved to be too ideal for grape growing and overproduction lead many growers and winemakers to bankruptcy. To save the industry, the KWV (Ko-operatiewe Wijnbouwers Vereniging van Zuid-Africa Beperkt) formed to restrict and regulate the type and quantity of grapes grown and set prices.

The KWV has often been compared to the centralized control of Soviet Russia (it was nicknamed the KGB). Quantity became more important than quality and growers planted and harvest high-yielding varieties.

In 1948, the tension between races came to a head and strict rules of racial separation were put in place. Civil Rights were revoked and everyone was put into racial categories - whites, black, mulattoes, Asian and Indians. Afrikaners, descendents of the first Dutch settlers, the men and women who first planted the vines and kept domestic and farm slaves were the criminals behind apartheid policy.

Wine amongst other South African products were boycotted around the world. Riled apartheid protesters smashed shop windows in Amsterdam where South African wines were sold.

MANDELA, SOCCER AND MORE WINE
Nelson Mandela couldn't be at today's game due to the tragic death of his great-grandaughter in a car accident, said to be caused by a drunk driver. For many football fans he was there in spirit, many of whom are crediting him for bringing the World Cup to South Africa.

In 1995, it was Mandela who helped ease race relations in the rugby World Cup. Black and white cheered on the Springboks and today, the racial divide was once again blurred following Tshabalala's goal. 

South African wine is no longer boycotted and enjoys a place at many tables around the world. Recently, Shiraz became the latest showstopping varietal.

Today I'm going to recommend South African wine. Pick up any bottle you like. History is taking place in South Africa and why not take the spirit of the country in by lifting a glass. Wine, like soccer is for everyone (well... maybe not youngsters... they'll have to wait) but drink responsibly.  

BIBLIOGRAPHY
http://www.guardian.co.uk/world/2010/jun/11/nelson-mandela-grandaughter-drunk-driver
http://news.bbc.co.uk/2/hi/world/africa/10297799.stm

Taber, George M. In Search of Bacchus: Wanderings in the Wonderful World of Wine Tourism. Scribner, New York, 2009.

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Montepulciano - Italy's Easy Going Grape

Sep 22, 2009



There is Montepulciano the region and Montepulciano the grape. Don't confuse them. In the region, Vino Nobile di Montepulciano ('the noble wine of Montepulciano') is made up of Sangiovese whereas the variety, Montepulciano finds its true home on the eastern coast in Abruzzo.


THE PROFILE
Montepulciano is a relatively late-ripening grape, harvested in late September, early October. Wines made from this variety often have moderate acidity and are soft, jammy and juicy in texture. Expect deep, delicious black fruits and earthier, exotic spices in some higher quality wines. On the whole, these wines are simply easy going, fleshy and pair well with meaty pastas - think ravioli, lasagna or  on a  lazy Sunday night, a heavy beef and pepperoni pizza. Molto bene!


The grape’s origins are relatively unknown. Documentation only goes as far back as the nineteenth century. Research conducted by Ampelographers (botanists who study and classify grapevines) in the 1800's maintained it was related to Sangiovese. Modern research has disputed this in our time. Unlike Sangiovese,  the variety that makes up Chianti and many of the great Super Tuscans, Montepuliciano thrives in a warmer climate and the chilly morning slopes of Tuscany will simply not do.


ABRUZZO - BACK IN TIME
The history of winemaking in Abruzzo, however, goes as far back as the Etruscans, around the 6th-7th century B.C. The Etruscans were a tribe of mysterious origin, believed to have come from Asian Minor and lived  in and around Central Italy - 'Etruscan' gave us the name 'Tuscany'. Hedonistic in character, they were known for wife-swapping and orgies were said to be a part of their culture.


In the Abruzzo of ancient times, the apianea grapes, a sweet grape not unlike our modern Moscato, was widely planted. The wines from this variety were highly praised by the Roman and Greek scholars in the 4th century.


During the Middle Ages, the area became depopulated as was the case in rural and mountainous regions throughout Italy. Many villages stood abandoned as men and women migrated to larger towns and villages to find work.


In our modern era, winemaking in Abruzzo has only come to the forefront through the effort  and determination of many co-operative wineries and this has only been in the last twenty years!


OGGI - TODAY
Today Montepulciano can be used to make wines of both high quality and 'plonk'. Montepulciano d’Abruzzo is the most important DOC with half a million hectoliters pumped out each year. The soils here are calcareous (high in calcium) and morainic (glacially formed accumulation of unconsolidated glacial debris).


Recently the Colline Teramane region was awarded DOCG status. This is just one step in separating the quality wines from the rivers of sub-standard wine (15% of which can be blended with Merlot, Cabernet Sauvignon, Sangiovese or other local varieties). Time will tell if we see further developments in this up-and-coming region.


Besides Montepulciano d'Abruzzo, the grape is grown in Umbria, Molise and Puglia. In the Marche, Rosso Conero is made up primarily of Montepulciano whereas Rosso Piceno is 70%.


Bibliography
Belfrage, Nicolas, Brunello to Zibibbo: The Wines of Tuscany, Central and Southern Italy. Mitchell Beazley, London, 2001.
Clark, Oz, 2009 Pocket Wine Guide. Harcourt Publishing, Orlando, 2008.
Robinson, Jancis (ed.), The Oxford Companion to Wine. Oxford Univ. Press, Oxford, 2006.

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The Other Italy - Aglianico: The Nebbiolo of the South

Sep 8, 2009



Along with Spain, the Italian South is fast becoming the most popular choice for wines of value. The grape varieties are not only unique but in blends or as varietals they offer a delicious alternative to the popular wines of Piedmont. My personal favourite of these southern Italian varieties is Aglianico.


AGLIANICO: CHARACTERISTICS
Pronounced ah-LEEYAH-nee-koe, the grape, like Nebbiolo produces one of the most powerful and interesting wines in Italy. The berries are small, dark-skinned and picked relatively late in the season, usually between the third week in October and early November. The wines made from Aglianico are deliciously deep in colour with nuances of chocolate, plum aromas and smoky acidity.


AGLIANICO: ELLENICO or ‘VINO DE LLANOS”
First thought to be planted around the Greek colony of Cumae (the site where the Etruscans first learned the alphabet from the Greeks; close to present day Avellino), the grape is believed to be of Greek origin. Before the end of the 15th century, it was known then as Ellenico, the Italian word for Hellenic.


Other scholars believe it was first brought to Italy in seed form and that it  traveled through Metaponto (Mentapontion), the major Greek colony on Basilicata’s Ionian coast. From there it headed north and east, finding its way into Vulture and Taurasi. There is some evidence suggesting it may well have come through Campania, possibly the area of Monte Massico north of Naples. Aglianico may likely be the red Falernum of Ancient Rome, a wine highly praised and prized by the nobles of antiquity.


Another theory is that it was a wild vine indigenous to the peninsula, grown and domesticated by the natives during the Bronze Age and only discovered by the Greeks. Enology professor Attilio Scienza of the University of Milan argues that its name comes from eilanikos, ‘vine that grows up trees’.


It doesn't stop there. Another modern theory further fueling the mystery suggests that Aglianico was first introduced to the south under Spanish rule. Daniele Cernilli and Marco Sabellico write in their book, The New Italy, that the name could well be an Italianisation of the Spanish ‘vino de llanos’ or ‘wine of the plains’.



TAURASI and AGLIANICO DEL VULTURE
Aglianico is grown throughout the south, especially in Campania and Basilicata where Aglianico del Vulture is the latter region’s only DOC wine (Denominazione di origine controllata – Italian quality regulation similar to the French appellation system) and also the most important. The DOC zone of Vulture is approximately 400 hectares/1000 acres of volcanic soil from nearby Mount Vulture, an ancient, extinct volcano located in the northwestern area of the zone. The soil is rich in potassium and because of the steep slopes, supplies good drainage so the grapes don’t get too flabby.
Mount Vulture
Basilicata is the most mountainous region in Italy and this is also true for Vulture. Here the nights are cool and the vineyards are planted between 450 to 600 metres above sea level. Aglianico del Vulture makes up only 3% of the total output of Basilicata’s 500,000 hectolitres, the lowest yield in Italy. Despite this, the wines are powerful, full-bodied and a dark, rich inviting red requires aging a few years before ready for consumption.


In Campania, a region once known for the greatest wines of antiquity, the village of Taurasi, in the hilly part of Irpinia (a region of the Apennine Mountains) is located just 64 km away from Barile. Like the heart of Aglianico del Vulture, it shares a preference for volcanic soils and does especially well at 500 metres above sea level. Promoted to DOCG (Denominazione di Origine Controllata e Garantita – a level above DOC) status in 1993, the wines here must be aged three years to meet regulations (one in barrel, two in bottle). If the wine is a ‘Reserva’, it must be aged for four years.


The wines here must be made with 85% Aglianico. They are concentrated but complex wines – smooth, rich red fruit, high levels of tannins but ideal with southern Italian cooking.


AGLIANICO: BEAUTY AND COMPLEXITY
My first impression of Aglianico came with a bottle of ‘Terra di Vulcano’ Bisceglia, a DOC Aglianico del Vulture. It was just curiosity. I had studied wine at the Art Institute but sadly missed the Italian wine seminar.


I came home on a dark, winter’s eve. Boiling some water, preparing the lean ground beef, opening a bag of pasta, I decided to uncork and pour my bottle. Right away, I noticed the deep rich colour. I took a long, pensive whiff and found myself falling in love with the disarming nuances of smoky blueberries and spicey, violet drenched plums. I took note: the wine was over three years old.


When I went to purchase another bottle, it was the newer vintage. The wine was tight, only two years old and the blueberries and smoky spices sat muted in the glass. These wines need at least three to four years, sometimes five to come into their own. Like Nebbiolo, they thrive when given time.


Other notable Aglianico del Vulture producers I can recommend include: Basilium, D’Angelo, Cantine del Notaio, Paternoster (one of the most famous), Tenuta del Portal and Le Querce.


In Taurasi, Oz Clarke would most likely add an additional five years to my recommendations. Mastrobardino practically created the DOCG’s reputation but if you can track down bottles of Caggiano, Feudi di San Gregorio, S Molettieri, Struzziero and Terredor di Paolo, you’ll find some excellent Campanian examples of Aglianico. They are well worth the wait but if you’re impatient to try a varietal Aglianico, check out the IGT (Indicazione geografica tipica – wine that satisfy some Italian wines but the regulations are not nearly as strict) values of Irpinia in Basilicata. These wines are still quite strong and tannic but they’ll get you by while you wait for your Taurasi and Vulture wines to age.


The majority of these wines can be found anywhere between $15 to $25 Canadian so there’s no excuse not to try them. If you’re a wine lover, you might wonder where they’ve been all your life.


Bibliography
Bastianich, Joseph & David Lynch, Vino Italiano: The Regional Wines of Italy. Clarkson Potter, New York, 2005.
Belfrage, Nicolas, Brunello to Zibibbo: The Wines of Tuscany, Central and Southern Italy. Mitchell Beazley, London, 2001. Cernilli, Daniele & Marco Sabellico, The New Italy. Mitchell Beazley, London, 2008.
Clark, Oz, 2009 Pocket Wine Guide. Harcourt Publishing, Orlando, 2008.
Robinson, Jancis (ed.), The Oxford Companion to Wine. Oxford Univ. Press, Oxford, 2006.

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Drink Canada - A Brief History of Ontario Wines

Sep 7, 2009




Growing up in St.Catharines, I hardly paid any attention to the surrounding wine country of the Niagara Region (I was a kid, c’mon). My main brushes with wine came through the Grape and Wine Festival Parade and family drives through Virgil, Vineland and Niagara-on-the-Lake. On our way to our cousins’ in the countryside, we passed the vineyards of Chateau des Charmes countless times. Watching the vines whip pass, I’d get hypnotized by the speed at which they flew across my vision. The visual effect intoxicated me long before I drank any of their wines.


While living in Victoria, British Columbia, I started work in a local liquor store at a mall near UVIC. (Unlike Ontario, B.C. has allowed a large portion of private liquor stores to open). The owners were half-Swiss Italian and were passionate about their cuisine and their Chianti. Besides learning about their favourites, I found myself drinking some of the local whites from up-island wineries such as Echo Valley, Zanata and Blue Grouse. Not only did I find these wines from Duncan and Chemainus surprisingly good but I suddenly realized I had fallen in love with wine and wondered how I came to discover it thousands of miles from my home, the Niagara heartland of vines.


After living in both Victoria and North Vancouver, I studied at the Art Institute, worked in both the hospitality and retail industry, and taught wine seminars. After a family visit back East, I decided to come back to St.Catharines and appreciate the land and region I had taken for granted all these years. I dedicate this entry to the many wine producers, past and present, who have developed the industry here and maintain such high standards of quality.


ONTARIO: EARLY HISTORY
There is an obvious difference between grape growing and wine making though the two are immeasurably linked. Native grapes (vitis labrusca) have long grown wild in our prestigious province well before borders were established, settlers set their homesteads and cities built. However, there is little evidence to suggest that native peoples used these grapes to make wine. It was only with the arrival of European pioneers do we see the faint beginnings of a wine industry. These souls, simply looking for a new way of life, first brought wine, beer and spirits to North America before attempting to make them in their new backyards.


Shipping wine across the Atlantic proved too costly for many families. The rich could afford this luxury but some attempted to use the indigenous labrusca grapes to make wine either for daily consumption or for religious purposes.


By the 1700s, grapes were being agriculturally grown and used throughout the North Eastern United States to make wine. Early Ontarians were not only of British descent but many came from France, Germany, Holland and neighboring New England. The vines were principally native and wine made from Concord and Catawba were most likely the norm. Many wine makers, including Thomas Jefferson in Virginia became frustrated with the poor results of growing vinifera varieties (i.e. Merlot, Cabernet Sauvignon, Chardonnay).


ONTARIO – THE 19th CENTURY
In Ontario, we don’t have an iconic figure like California’s Agoston Haraszthy, often considered the Father of the state’s wine industry. Perhaps the closest figure we have is Johann Schiller, a German immigrant who made wine in what is today Mississauga. We know very little about him, other than he came from a military background, that he gathered wild grapes from the banks of the Credit River, that he planted a vineyard with local varieties and cultivated hybrids. As Rod Phillips suggests in the Wines of Ontario, there is “no evidence he was a model or inspiration to others”.


It is only until the 1860s do we take a significant and historical step forward and see some true progress towards our idea of an Ontarian wine industry. Count Justin de Courtenay purchased Schiller’s land and in 1864 set up a Vine Growers’ Association. De Courtenay was a writer of agricultural pamphlets and a founder of Chateau Clair winery, well known for its large annual production of some 20,000 gallons of wine (the equivalent of 10,000 cases, far exceeding the amount of most modest wineries in the province).


In 1866, just a year before Confederation, in southwestern Ontario, Thaddeus Smith and two other associates from Kentucky planted 10 hectares (25 acres) of labrusca vines on Pelee Island, later establishing Vin Villa. The grapes were sold to wineries in Ohio and in the province by 1871.


The last few decades saw an interesting growth of entrepreneurs in the wine industry with wineries popping up around St.Catharines, Niagara Falls, and Branford.


By 1900, 4,500 hectares (11,250 acres) of vine land were planted in Ontario. There were approximately three dozen wineries in Niagara and five dozen in North Shore Lake Erie.


GRAPES OF ONTARIO
As I mentioned, many of the grapes used to make wine here were vitis labrusca. Pick up some store-bought grape juice, add an ounce of vodka and you might have some idea how these wines tasted (or simply buy Manishevitz Kosher wine for $6.99 at the LCBO). Niagara (a cross between Concord and Cassady – another labrusca variety) was used to make white wines (and still is today) and Concord for many red wines (over two-thirds of New York State are planted with labrusca varieties to make Welch’s Grape Juice and jelly).


The reason many native varieties were used instead of the superior wine grapes of vinifera is simply because they could survive. Whereas Merlot, Cabernet Sauvignon, Chardonnay and other vinifera varieties succumbed to pests, to the pesky phylloxera, (a root-eating aphid), diseases and Ontario winters, the native varieties, Concord, Catawba and Niagara managed just fine.


After Prohibition (1916 to 1927 - a time during which wine was thankfully legal as opposed to beer and spirits, unlike in the United States where the California wine industry experienced a major setback), there was a switch from labrusca to Hybrid varieties. A Hybrid is a cross between two different grapes of two different species, i.e. between vitis labrusca and vitis vinefera (whereas a Crossing is a cross between two grapes within the same species i.e. Pinotage, a South African grape whose parents are vitis vinifera Cincault and Pinot Noir). By the 1950s and ‘60s, the Niagara Peninsula wine producers began to make the switch over to Baco Noir, Seyval Blanc, Vidal and Marechal Foch. Labrusca varieties still remained in the market (and to this day although they make up a tiny portion of the wine market).


ONTARIO AND THE QUALITY REVOLUTION
By the late 1960s and early 1970s, many countries throughout the world began to move towards a higher standard of wine production. Before that, for many decades, wine makers in California, Spain, Australia, New Zealand, South Africa and Canada attempted to make cheap imitations of French wines. Chablis is made from Chardonnay but a California ‘Chablis’ was often a sweet blend of cheaper white grapes. Producers attempted to woo their customers with ‘European sounding’ names – Alpenweiss, Toscana, Red Burgundy and Wunderbar.


(For many of our parent’s generation, the baby boomers found themselves drinking the infamous Baby Duck, a sparkling wine made from Concord!)


This period of mediocre mainstream wine had to go. The worldwide leaders of quality sprouted up individually, synchronistically to some degree and included Robert Mondavi Jr. in Calfornia, Miguel Torres in Spain and Wolfgang Blass in Australia.


Here in Ontario, it was more of a duo.


Donald Ziraldo met Karl Kaiser, a native of Austria in the mid 1970s. The two knew each other through Ziraldo’s nursery. Ziraldo had just received his degree in agriculture from the University of Guelph while Kaiser had a degree in chemistry from Brock University and played around with home winemaking. One ‘fateful day’ as Ziraldo puts in his book, Anatomy of a Winery, Kaiser came to the nursery with some French hybrid grapevines and later a bottle of wine. Perhaps lost in the wake of the wine, they dreamt of their own winery and decided to apply for a wine license.


With the help of General George Kitching, Chairman of the LCBO who also shared the two men’s vision, they were issued a license (the first since 1929) and Inniskillin was born.


Inniskillin led the new wave, shortly followed by Newark (now Hillebrand), Colio Estates, Pelee Island Winery, Reif Estates (just down the road from Inniskillin), Konzelmann Estate and Henry of Pelham.


It was also about this time that Icewine put Canada on the world-wide wine map. Pelee Island and Hillebrand had produced icewine in 1983 but it was Inniskillin who helped win our first wine awards in France. (Kaiser’s 1983 crop was a feast for the birds apparently… it was a lesson learned as Karl believed they didn’t need netting to protect the vines. As Debi Pratt, Public Relations Manager at Inniskillin recalled: “Early in the morning, Karl came in and asked us when we had picked the ice wine grapes. He thought we had finished the harvest. We told him we didn’t touch the grapes. He then realized we should have used netting.”)


The advances in the sciences and study of wine making were also an immediate boon to our local industry as wine producers learned what varieties to plant, how to maintain them and what to look out for. It was around this time that vitis vinifera varieties started to take root.


ONTARIO WINE TODAY
When the Canadian government entered into the North American Free Trade Agreement (NAFTA) with the United States in 1989, local wineries were deeply affected. “Together with other trade rules, it cut away at the preferential treatment and pricing of Canadian wines in provincial liquor stores,” writes Rod Phillips. “Ontario wines would have to compete on a level playing field with wines from California and elsewhere.”


The Ontario government, however did compensate and provided $50 million to growers to uproot inferior varieties. Ontario is said to have lost 20% of vines but there was an increase in vinifera plantings.


Around the same time, the Vintners Quality Alliance (VQA) was founded, setting a new standard for the emerging industry. The VQA assured customers that wine came not only from a specific appellation (i.e. Niagara-on-the-Lake, Jordan, Beamsville) but assured variety (85% of the wine made from that specified on the label), vintage and overall quality. If a wine producer indicated a particular sub-appellation or vineyard site, the wine must be exclusively made with the grape grown there.


During the 1990s and 2000s, the number of wineries increased substantially and newcomers like Daniel Lenko Estate, Palatine Hills, Tawse, Stratus, Fielding Estate, and 13th Street have all contributed to making Ontario wines world renowned. In 1996, Brock University opened the Cool Climate Oenology and Viticulture Institute (CCOVI) in partnership with the Wine Council of Ontario (WCO) and the Ontario Grape Growers Marketing Board, now the Grape Growers of Ontario (GGO).


ONE LAST ISSUE
I have to stress this: if you’ve been in the LCBO recently and you see a section called ‘Cellared in Canada’, this means the wines are not completely made with Ontario fruit. Most likely there is nothing of Ontario in these wines. If you’re buying a white label Jackson Triggs without a vintage date, you are buying a wine made with imported juice. For many local wineries, especially boutique-size, this is a strong issue as it undermines the direction and achievements of many Ontarian grape growers and wine makers. As devoted wine buyers, we are better off supporting the true local wines. In a time when many Ontario grape growers are struggling, these ‘Cellared in Canada’ wines do not truly represent Canada.


If we want to see future wineries develop and our present wine producers flourish, we need to focus on the craftsmanship of their products. For this history to continue, let’s support the legacy and enjoy Ontarian wines that are so easy to love.


Bibliography
Phillips, Rod, Ontario Wine Country. North Vancouver, WhiteCap Books, 2006.
Phillips, Rod, A Short History of Wine.
Ziraldo, Donald J.P. Anatomy of a Winery: The Art of Wine at Inniskillin. Toronto, Key Porter Books, 1995.

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France: Wine, Dreams and History in the Loire Valley

Jul 28, 2009










Go and chill my wine so well…
Can’t you see that time is passing?
I refuse to live in the tomorrow
– Pierre de Ronsard, To His Page

In northern France, a ghostly rain called grisaille or gray drizzle falls on the moody Loire River. It is a solemn, pensive rain, wistful, nostalgic. As it falls on the surrounding vineyards, on gardens filled with roses and lilac, on the Chateaux with their stone emboldened facades, on the medieval bridges spanning the river, one might think of the rain that fell in centuries past.

Both Henry II and Richard Lionheart died at Chinon and the seminal battle of The Hundred Years War was fought here: the Siege of Orléans. Leondardo da Vinci traveled here in his last years to be of assistance to François although perhaps it was the beauty of the land that drew his spirit.

In the nineteenth century, artists, writers, poets and composers flocked to French authoress George Sand’s château in Nohant. Every day the piano rang with the melancholic preludes of Frederic Chopin or the bursting bravado of Franz Liszt while nearby Eugene Delacroix painted and Honore de Balzac sat restlessly dreaming up a new novel to add to his many dozens.

In modern times, the chateaux have become homes to such celebrities as Mick Jagger and Gerard Depardieu.

Through the centuries, the rain and the river Loire move on together. The drizzle is still light and when it passes along with the brief dream of long ago eras, the sunset breaks out and suddenly there is a peace not unlike the bliss of sipping a fresh white wine.

LOIRE VALLEY: INTRODUCTION
Long and winding (1,012 km or 627 miles) the Loire is France’s Nile or India’s Ganges. From its beginnings in the south, within the volcanic peaks of the Massif Central, it rises in Ardeche department (department) and carves through steep gorges until it reaches the pastoral, garden-like valley itself.

At one time, Viking ships stormed in from the Atlantic to raid Loire Valley villages. In later centuries, Dutch merchant ships traveled its waters. Today, wind surfers whip along on the waves while in the summer, the river is more sandbank than water.

The Loire is one of the largest wine regions in France with 185,000 acres planted under vine. Evidence suggests viticulture was introduced in the late 6th century A.D. Some argue it was St. Martin, Bishop of Tours, who first brought vines from his native Roman Pannonia (modern Hungary) in the 4th century A.D.

In the 7th Century, a party of monks brought the body of St. Benedict from Monte Cassino in Southern Italy to the Loire. Founding an Abbey in Fleury, they named their order after the reverent man. The Benedictines were known for their learning, for their illuminated manuscripts and for their wine.

During the Middle Ages, it was the Benedictines and Cistercians (named after the first abbey of Cîteaux south of Dijon in Burgundy) who cultivated the grape in the Loire (as they did throughout France). Monks (from monos - Greek for solitary man) throughout Europe had the time, talent and wherewithal to study and learn which sites were suitable for the growing of particular varieties. Unlike Burgundy, which became synonymous with Pinot Noir and Chardonnay, the Loire is difficult to categorize. There are fifty appellations in the Loire and each produces wine both enchanting and stimulating, leaving both novice and seasoned wine drinkers with a longing to explore and re-explore the various sub-regions.

These four sub-regions, loosely grouped, moving from east to west are: the Central Vineyards, Touraine, Anjou-Saumur and the Nantais.

CENTRAL VINEYARDS or LE CENTRE
Imagine we are gently sailing down the Loire on a small sailboat. First, we’ll begin in the east between the two towns of Sancerre and Pouilly-Sur-Loire which face each other like Gemini twins. Surrounding these towns are the appellations (or AOC) of Sancerre and Pouilly-Fumé.
The climate here is closely linked to nearby Burgundy which would best be described as continental – severe winters and hot summer with spring frosts and summer hail, a continuous, devastating problem for the vine growers.

The main variety, Sauvignon Blanc is a grape now synonymous with the best of New Zealand whites. But here, in this pastoral cradle of villages and chalky limestone, with slopes facing south-east and south-west, these small parcels of land produce a white of incredible finesse, subtlety and character. Sancerre’s Sauvignon Blanc is herbaceous with notes of gooseberry and what has been humorously termed as ‘cat’s pee’ (despite how it sounds, it isn’t that bad). Across the river, where there is more flint present in the soil, the Sauvignons are described as being herbaceous but with an additional note of ‘gunpowder’, a minerality evoking smoke and lime. 
In Memoriam: Didier Dagueneau (1956-2008)


Most of these modern wines are fermented in stainless steel. But back in the 1980’s, a new wave of vignernons decided to age their whites in oak barrels. Didier Dagueneau of Pouilly-Fumé was the most famousvof these innovators. A bit of a cross between a wild man (he used to dog sled in the Arctic) and a Revolutionary artist, Dagueneau produced (until his death in the Dordogne region of France when his utltralight plane stalled after takeoff) wines that offered consumers a lush, full-bodied and intense Sauvignon Blanc, nothing they’d ever experienced before. This enfant terrible became a legend overnight, a man equally hated and loved by his neighbours, by fellow wine producers and critics. He rattled cages, stayed away from the mainstream, pushed his small vineyards to produce the best, creating a diverse dimension to what some might be considered a fun, summer white. We may never see his like again.

Sancerre, like its neighbour Menetou-Salon, also produces reds and roses made from Pinot Noir and Gamay. It is interesting to note that Sancerre actually started out as a red wine, a wine revered by Henri IV who believed its very power and beauty could stop all wars. In the early twentieth century, Algeria had created a bulk red wine market and in order for the appellation to stay afloat and compete, growers started switching to Sauvignon blanc. (If you have a chance, the local goat cheese of Sancerre, crottin de Chavignol
is a superb match with Sauvignon Blanc - or any goat cheese.)

TOURAINE
As we make our way north and then east along the river, we pass historic Orléans, a witness to the final years of the Hundred Years War. It was Jeanne d’Arc who hailed from Lorraine in the east. It was she who inspired hope and rallied the wearied French soldiers to victory against the English. A visionary, her military experience and knowledge were at best rudimentary but her courageous ability to spiritually uplift her people was said to be divine. Captured by the Burgundians after a series of failed attacks, she was handed over to the English and put to trial as a witch. Charged with heresy, she was sentenced to death and burned at the stake on May 30 1431. Her statue can be found in both Chinon and Orléans and her image imprinted in stained glass in Orléans Cathedral (not to mention in the hearts and imaginations of countless French artists and writers from Ingres to Peguy to the present day).

Touraine. along with neighbouring sub-region, Anjou-Saumur could best be described as the historic heart of the Loire Valley. Here the wine diversity is as beguiling and beautiful as the numerous chateaux and cathedrals that line the river.
Balzac, a gourmand and lover of Loire Valley wines

Touraine is also the home of many famous French writers and poets including François Rabelais, Pierre de Ronsard, Honore de Balzac and Alain-Fournier. It was Balzac who wrote “without Touraine, perhaps I could no longer live”. He based one of his most famous novels, Eugenie Grandet in his native land, a story set amongst the vineyards and political world of the early 19th century.

Touraine is also the home of the most famous castles, including those at Chambord, Langeais, Richelieu, Amboise (said to be the setting for Charles Perrault’s Sleeping Beauty) and Chenonceaux (once home of Catherine d’Medici and Henry II’s mistress, the seductive Diane de Poitiers). This is the France of the Renaissance with its bold turrets, grandiose facades of white stone, gables, high ceilings, tapestries and gardens laid out in geometric forms.

But of course, let’s not forget the wine.

The Touraine appellation, a general one, covers the entire sub-region and one can find wines largely made from Cabernet Franc, Gamay, Chenin and Sauvignon Blanc. The labels are easy to read as they list the variety used to make the wine.

Vouvray is always white, always Chenin Blanc (called Pineau de la Loire in the region and sometimes Steen in South Africa). There are a number of styles depending on the vintage and you can find a sparkling, still or sweet Chenin. Again, it all depends on the year. If a Noble Rot happens, vignernons will decide to make a sweet wine. (Botrytis Cinerea, is a beneficial fungus – thus a ‘noble rot’ - that attacks the grapes, covering them with a gray mold. The mold penetrates the grape’s skin using the berry’s water thus concentrating the sugar, flavour and acid to contribute to a sweeter style of wine). If the harvest is poor, you might find more sparkling wines available. (Many labels will indicate the level of sweetness of the still wines of Vouvray – Sec or Dry, Demi-Sec or Medium Dry, Moelleux or Medium Sweet and Doux or Sweet).

But Chenin, barring the climate or weather, can also be a testy grape. One bunch doesn’t determine the same level of ripeness. Sometimes you can find yourself tasting a few leafy, vegetal elements in the wine. But beyond that, Chenin is ideal for the soft tuffeau (a chalky limestone soil high in calcium) which produces an exquisite wine capable of aging many years. One can expect notes of apple-honey, lush lemon and drops of apricot.

While Vouvray (and Montlouis across the river) focus on Chenin, Chinon and Bourgueil, including Saint-Nicholas de Bourgeuil are solely red wines (the suffix ‘euil’ comes from the Gallic ialos, meaning ‘a clearing in a primeval forest’). Here Cabernet Franc is king (with a little Cabernet Sauvignon thrown in with the Chinon). Chinon is considered the softest, the most elegant but, to be honest, all wines are perfect if you find yourself in a Paris bistro in the summer. When served lightly chilled, this delicious blanket of red raspberry fruit, violets and herbs becomes a delectable cool river of pleasure on your palate. (Although some wine aficionados swear Bourgeuil is more strawberry and Chinon more raspberry…nonetheless…).

ANJOU-SAUMUR
The Loire is not only famous for wines but for the production of primeurs, early veggies that appear two to three weeks before those cultivated near Paris. Leaving Touraine, the land of asperges et haricots (asparagus and beans), we enter the realm of Anjou where les oignons et les echalots (onions and shallots) grow, not to mention artichouts (artichokes) in nearby Angers.

The climate also changes the further west we sail. As Bourgueil and Chinon AOC disappear behind us in the sun, we encounter a milder, more maritime climate. Here the temperatures are less extreme in winter and summer, more humid to some degree (but not nearly as damp as Nantais).

Saumur is our first stop. Here the wines are either white (Chenin Blanc), red (Cabernet Franc as in the case of Saumur-Champigny) or rosé.

Saumur is also famous for the Loire’s top sparkling wines. They are made in the traditional method of Champagne and can be a blend of Chenin Blanc with Chardonnay and Cabernet Franc (by law seven varieties can be used in total including Cabernet Sauvignon, Sauvignon Blanc, Gamay, Pinot Noir, Côt [another name for Malbec], Pineau d’aunis and Grolleau – but such a blend is rare).

The vines grow on the famous tuffeau. In the time of François I, the limestone was easily quarried and used to make decoration for the Renaissance châteaux by skilled masons. Saumur is also known for its mushrooms – 75% of them are grown here (about three tonnes are picked daily around Saumur, many grown in the very damp caves that provided quarry to those very châteaux of the Loire).

Surrounding Saumur to the north, south and east, is Anjou. Here we find the fertile plains of the Loire and its tributaries which enjoys the title of ‘le jardin du France’.

In the Middle Ages, the town of Angers in Black Anjou (named for the black schist of the region) was one of the capitals of the Plantagenet empire, linking England and France. In those days, what we know of as ‘France’ consisted of land surrounding Paris. The French at that time were engaged in conflicts with the English and the Burgundians. Only until the reign of Louis XI in the 15th century did the country take the familiar shape we know today. (Louix XI once quipped he drove the English “out by force of venison pies and good wines” when really he wined, dined and paid off Edward IV - considered a feeble king - with 50,000 crowns).

The appellation of Anjou is quite broad and like Saumur, also includes red, white and rosé wines. Chenin Blanc is the predominant white and Cabernet Franc the red. Grolleau, (said to be named after a black bird), is the ‘workhorse’ grape producing thin, acidic wines of red fruit.

The roses are perhaps the most well-known. You can find a simple, medium sweet as in the case of Rosé d’Anjou, a blend of Grolleau with five other varieties, including Cabernet Franc and Cabernet Sauvignon; a Rosé cabernet D’Anjou, a blend of Cabernet Franc and Cabernet Sauvignon; and a Rosé de Loire, a blended, light fruity wine of pronounced cherry flavours.

Before we sail on, let us not forget Coteaux du Layon and Savennières. The most seductive, delightful and affordable of sweet wines outside of Sauternes and Bordeaux are those from the former while the most exquisite, exceptional and age-worthy whites outside of Vouvray are found in the latter. Both utilize the greatness of the Chenin Blanc grape.

THE NANTAIS
As we near the Atlantic, we find the climate cools, the scenery changes, the houses have a quaint maritime feel, its stone facades gently scathed by decades of salted, ocean winds and rainstorms. Here the river deepens and the sky spreads out, vast and solemn. There are fishing boats along the coast, quiet lanes in the towns.

This is the land of Brittany and Muscadet is its vineyard.

Made from the Melon de Bourgogne variety, Muscadet de Sèvre-et-Maine (named for the small Sèvre and Maine Rivers that run through the district), ‘casts its pale golden glow over the purple of lobster and the pearl of oysters’ as one French critic put it. It is a wine ideal with seafood, perfectly matched. Hugh Johnson, British wine writer notes there is even a suggestion of seaweed in the wine but this shouldn’t deter you. The wines are tangy lemon with a yeasty background. Muscadet is made on its lees (sur lie). Before bottling, these wondrous whites stayed in contact with the yeast lees for several months before being bottled.

Muscadet is the wine to end our journey, a wine mirroring the sea itself.

Bibliography
Asimov, Eric, “The Pour” Didier Dagueneau Killed in Plane Crash, September 18, 2008 – New York Times
Bailey, Rosemary, Insight Guides: Loire Valley, APA Publications, Singapore, 1991.
Lynch, Kermit, Adventures on the Wine Route. Farrar Straus Geroux, New York, 1988.
Johnson, Hugh, A Life Uncorked. Weidenfeld & Niolson, London, 2005.
Johnson, Hugh and Jancis Robinson, World Atlas of Wine. Mitchell Beazley, London, 2001.
MacNeil, Karen, The Wine Bible. Workman Publishing Company Inc. New York, 2001
Myhill, Henry, The Loire Valley. Faber and Faber, London, 1978.
Palmer, Hugh (with James Bentley), The Most Beautiful Villages of the Loire. Thames and Hudson, London, 2001.
Robinson, Jancis, The Oxford Companion to Wine. Oxford Univ. Press, Oxford, 2003.
Seward, Desmond, Monks and Wine. Mitchell Beazley, London, 1979.
Styles, Oliver, Didier Daueneau – Decanter Interview, January 21, 2008 – Decanter Archive
.

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Wine Politics - "What's the score?" Rating Wines

Jul 15, 2009


If you are new to the world of wine and find yourself in a wine shop or a liquor store, you might notice what we call in the industry, ‘shelf talkers’ - little tags that basically talk about the wine.


A few lines long, you might read, “soft, blackberry fruit, hints of smoke and earth” or “crisp, green lime flavours matched with charming nuances of apple” or something to that affect.

And there, right below the ‘purple prose’ (wine writing) you’ll see a few scores usually written in bold:

89 Points Wine Spectator
90 Points Robert Parker, The Wine Advocate
95 Points Steven Tanzer, International Wine Cellar
89 Points Wine Access

When it comes to a bottle of wine, it’s the price, those very numbers that are extracted from our wallets as bills and cents or digits in our bank account that matter (sometimes the alcohol content as well – Australian and California wines can get as high 16% abv). But for many wine aficionados, merchants, buyers and collectors, the points are everything and this can also affect the price.

ROBERT PARKER
We could blame it on Robert Parker. Back in the last century, about 1983, he predicted that the Bordeaux vintage of ’82 was a must-have for wine merchants and buyers. When his prediction paid off, everyone turned to The Wine Advocate. Inside the pages of this humble but confident magazine, wine buyers found only tasting notes and scores. There wasn’t a hint of advertising. Still is. The periodical is as bare as a philosophical quarterly or a university medical journal.

When Parker started out, he wanted to be the consumer’s guide to wine; no frills, no fuss. Reading through American and British magazines and newspapers, he grew sick and tired of wine journalists who had been wined and dined by agencies and wineries. (Apparently there was one critic who every time he visited a winery, left the trunk of his car open in the event that when he came back, there would be cases waiting for him.) Their reviews were a matter of ‘you scratch my back, I’ll scratch yours’.

Parker believed in a democratic approach. (The 1970s was the time of Ralph Nader and consumer advocacy.) Parker was passionate and knew enough about his own tastes to recommend a wine and be honest. Having been to France, he was, perhaps, no different than other wine critics. (In the 1960s and 1970s, wine journalism was in its infancy. Many writers had little or no training. When Jancis Robinson started out, she had been working in the travel business and like many, took courses here and there while writing wine articles over the years.)

THE SCORING
Featured on page 2 of the first issue, one could find Parker’s rating system. A wine rated below 64 was “to be avoided”; a 60-64 rating had “noticeable flaws”; 65-74 meant the wines was “average”; 75-79 you could expect “above average”; 80-89 meant you had a “very good wine”; 90-95 was “outstanding” and 96-100, “extraordinary” (The Emperor of Wine)

Rating a wine was not new. In 1855 the French classified their Médoc (an important sub-region of Bordeaux) in response to a request from Napoleon III’s Paris Expo of the same year. Organized into five tiers or growths, these 61 chateaux have remained lodged into the upper class minds of wine drinkers for over 125 years. They have also remained unchanged. (There was an adjustment in the twentieth century. Baron Philippe de Rothschild had simply refused to be a second growth in this glamorized popularity contest and demanded to be first. After petitioning for most of his life, his wish was granted in 1973 and he died happily in 1988 – who says nothing changes after high school?) Graves established a ranking system in 1953 followed by St.-Emilion in 1955 but they have nowhere near the cache that the 1855 system has.

Like the Médoc classification system (or ‘caste’ system notes Edward Hyam in the dated but still quite useful book on French wine country, Vin – “for in a class system it is possible for the lower classes to work their way into the higher”), Robert Parker’s scoring was the first and has continued to be the most important. Just as we think Coke before Pepsi, Parker’s ratings are foremost in the minds of wine buyers. After Parker, came Wine Spectator. Marvin Shanken paid $40,000 for the failing San Diego-based tabloid and turned it into the consumer giant it is today, adopting the 100-point rating system in 1985. (A famous exchange between Parker and Shanken. “What do you think of me stealing your 100-point system?” Parker: “What difference does it make? You give everything 90 points anyway.” Shanken: “We’re going to put you out of business” and of course that never happened. [The Emperor of Taste])

The trouble with Parker is that he became the very thing he fought against. He didn’t believe in the Classification of 1855. If he felt a wine was poor, he said so. He called the 1973 Bordeaux vintage ‘terrible’.

Following his major prediction of ’83, Parker became the critic that made a fledgling winery overnight. If Parker scored your wine 90+, expect hundreds of phone calls and faxes the next morning.

Slowly, over the years, cult wineries, such as Screaming Eagle ‘blossomed’ out of Parker’s modern day rating system. In 1997 the said winery of Napa Valley received a 100-points for their Cabernet Sauvignon. The wine was initially priced at $125.00. At an auction that same year following the rating, the wine sold for $2500. So, in a sense, like the Classification system of 1855, Parker has become an icon of the wealthy wine drinking crowd, many of whom are slavish followers of his.

WINE SCORING TODAY
Robert Parker is more of a legend than a man. But he is also very American with very-American taste. Following the wines he rates, you can see a preference for bold, meaty, full-bodied wine. Just as the majority of the American viewing public wants sex and violence, dumbed-down television like American Idol and blockbuster movies following the Jerry Bruckheimer-Michael Bay formula (which is just blow everything up – really…), Parker’s wine are for those who could care less about subtlety.

This is the great tragedy of the wine world. The intentions were good, no one ever plans to change the world (although Gary Vaynerchuk of winelibrary.com claims he is and I admire his fascination for variety and hesitation on scoring) and no one plans to become a satire of their own success. Over the years, the wines that received the highest points received the biggest returns. Scores are everything. Wineries took notice and the result has been a great gluttonous surge of mainstream wine, all of them sharing the same tendency to be robust and full-bodied.

THE FLAWS OF SCORING WINE
Have you ever considered walking into an art gallery and scoring a painting or a sculpture? No, not really, right?

But we do rate movies, we give them a thumbs up or down, four stars, three stars, we award them Oscars and Golden Globes. The same with CDs. They have a rating system that isn’t perfect, but usually the reviewer has had some experience with the genre of music they are rating. The same with the movie critic. Many have gone to school, watched countless films, know the clichés, understand the symbolism.

We can sit down with friends and watch a film. We will see the same images on the screen but our perceptions might vary, some of us focusing on different characters and recalling different scenes. We can go back to that film time and time again, just as we can listen and re-listen to a CD, judging the merits of a particular artist’s use of words and overall musical talents.

Wine is different and so is the wine world. Existing somewhere between categories of art and the film industry, relying half on the elements and half on human beings, it is a matter of what I would like to call ‘calculated guess-work’ based on experience. There is a science to it, of course, but we cannot control the winds, the sun and the rain, can we?

From wine makers to critics, every wine is unique just as every palate is subjective and personal. Whereas what we see and hear can often be agreed upon, what we taste and smell is another matter. We can pick up a novel and re-read a passage that has layers of symbols yet how do we know while drinking a certain wine we are picking up the same flavours, the same nuances as our neighbor? We can direct others to certain aromas but how certain are we? It is a mystery at times.

The rating system is flawed because few critics can agree on wine. While Parker might rate a Rioja 90 points, Stephen Tanzer might give 87. In Australia, James Halliday might give an Eden Valley Riesling 90 points whereas a fellow wine critic might shake his head and go 85 points. Shots in the dark. There is no consistency. (With something as simple as a table, I’m sure we can all agree on the measurements plus or minus a fraction of an inch or metre…)

Points are often the substitute for description but shouldn’t be. Kermit Lynch, a famous California wine importer in his book, Adventures on the Wine Route balks at the idea of judging and scoring a wine. “Those big rock-‘em-sock-‘em blockbusters perform one function admirably – they win tastings…. Usually such wines give their all in the first whiff and sip…”

Lynch compares two wines, a Château Margaux (considered the finest of Médoc wines in Bordeaux) and a moderately-priced rosé wine from Bandol in the South of France. Which is better? Lynch urges the reader to compare them side by side and award points. The Margaux would most likely win. Now take those two wines to dinner and serve them both with boiled artichoke and rate them once more. “The Margaux is bitter and metallic-tasting, whereas the Bandol rosé stands up and dances like Baryshnikov.”

Lynch’s argument is comically apt when he writes that when “a woman chooses a hat, she does not put it on a goat’s head to judge it”. It’s our palates, he basically says and even if we are beginners, we should be able to rely on our own tastes. Why should we value the ratings of critics who can’t agree on a bunch of numbers they have arbitrarily awarded a wine – a scoring system, I forgot to mention, based on the American high school grade system.

I agree with Lynch that a wine should be judged in the environment in which it is tasted and that environment includes the company you keep, the food you eat and quite simply on one’s mood.

The other flaw of rating a wine is that many times a wine will be tasted and scored in sequence of other wines. Have you ever tried to watch two movies in a row? Did you find you paid more attention to the first as opposed to the second?

There is also bottle variation (see Vino Variations June 2009) as much as the temperature of wine served, the time of day, the time when the bottle was opened. Who is to say that a certain wine should be opened this year as opposed to next? Or that one? Can one bottle represent the entire vintage? Should the wine be decanted? How do you score a wine when you’re only guessing when is the right time to taste it?

RATINGS: HERE TO STAY?
The scoring system is little more than an over-inflated tool. Some might call it a necessary evil. I find it foolish. There are many flaws and many egos. As much as it forewarns consumers and gives them some idea of quality, it keeps us from branching out and exploring the un-scored wines or the less than 90 pointers. By creating a comfort zone and drinking the high scoring wine, we force the market to appease us and therefore mainstream becomes our only means of drinking wine (just as we keep coming back to boring Bruckheimer-Bay-like films). We’re not going to eat steak everyday so why do we need beefy big wines with higher alcohol (and a lot of wineries, especially in France have made their wines with higher alcohol content, often as a result of adding sugar to increase the percentage)?

I have to admit, I admire the Canadian magazine Vines for using the star system which is much closer to what I learned through Wine Studies Education Trust. Through my course work, we learned to judge wines based on appearance, nose and palate, all contributing to a final assessment. Was the wine Poor? Acceptable? Good? Outstanding or Extraordinary?

But again, we tasted the wine for the sake of tasting it, not truly enjoying it with a meal. If everyone is unique, if all wines are unique, then why do we need high scoring wines to appear at our table in a world of diversity? The mainstream is an excuse not to think and explore – we undermine our own preferences. Popularity contests have nothing to do with taste and individuality.

I don’t think I’d trust a goat to wear my hat.


Bibliography
Hyams, Edward, Vin: The Wine Country of France, Newnes, London, 1959.
Lynch, Kermit, Adventures on the Wine Route. Farrar Straus Geroux, New York, 1988.
McCoy, Elin, The Emperor of Wine: The Rise of Robert M.Parker, Jr., and the Reign of American Taste, Harper Perennial, New York, 2005.
Robinson, Jancis, Tasting Pleasure. Penguin Press, New York, 1999.
Robinson, Jancis, The Oxford Companion to Wine. Oxford, London, 2003.

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Spain: The Wines of Old Castile

Jul 8, 2009

Night of Castile;
The poem is spoken,
Or, better, not spoken.
When everyone is sleeping,
I’ll go to the window
- Antonio Machado, from Canciones

UMAYYAD BEGINNINGS

It is spring, 711. Tariq ibn Ziyad, a Muslim Umayyad general with a band of some 7000 Berber soldiers is crossing over from northern Africa into Visigoth Spain. The charismatic leader and his troops, under the shadow of the mountain soon to be named in his honor (Gibraltar - gebel = mountain, al-Tar = Tariq)  are about to encounter an army and government weakened by internal corruption - easy prey.

Within several months of the historic landing, the Visigoth presence in Iberaia is dissolved in the wake of Tariq's untimely invastion. By summer, King Roderic falls in the Battle of Guadalete and the Muslim general is made governor of the region, ushering in a new era of Muslim culture, technology and architecture.

MUSLIM SPAIN
For over three hundred years, the Muslims hold control over the vast majority of the Iberian Peninsula and cities such as Cordoba, Toledo and Granada prosper. Fountains, gardens and lanterns adorn the golden streets and beautiful mosques and palaces are erected for the emirs. Men of science, literature, music, mathematics and philosophy practice their esoteric art in libraries and in courts. 

The Muslims conquerors are, for the most part, tolerant people and continually encourage religious freedom. Many Jews rise to prominence and power while a small population of Christians or Mozarabs (‘wannabe Arab’) contribute to this society. In the main, being Muslim simply affords citizens adequate tax breaks, inspiring many converts.

Yet, in the far wet north, another band of exiled Christians cling to the green coastline of present day Galicia, Asturias and Basque country. Their faith can’t be broken by tax incentives nor by what they perceive to be the lax culture of the Muslim-dominated south. After several humiliating defeats by Moorish marauders, these Christians slowly begin to retake the peninsula. From their little Kingdom of Asutrias, a small settlement of Spanish culture, Christians cross south over forbidding mountain ranges (now called the Cordillera Cantábrica) into Northwestern Spain to retrieve what they believe to be their land. 

By the 10th and 11th century, the conquerors, like those they once conquered have begun to grow weak and corrupt. Internal strife breaks down the varied layers of government.

Asturias expands and joins forces with León and then Castile.


OLD CASTILE
Today this territory is known as Old Castile because the reclaimed land south of Madrid became New Castile. 

It was King Alfonso VI, King of Castile and León in the 11th century who took Toledo from the Moors. 

In the 13th Century, King Alfonso X helped solidify the Spanish language so Castilian (mixed with Arabic and Latin) became the vernacular of the north.

By the 15th Century, Old Castile was a thriving centre with a university in Salamanca and the royal court in Burgos. 

In 1469, Isabella, heiress to the throne of Castile, married Ferdinand, heir to the throne of Aragón. Through this union, Castile and Aragón -as well as lands of La Rioja - fell under their control. The capital moved from Burgos to Valladolid (Isabella’s home city). 

The wealth from sacked Moorish cities fell to the nobles.

WINES OF OLD CASTILE
Observers of history, of western civilization note that wherever there is money and wealth in society, there is bound to be a wine market.

In Old Castile, the wine trade did exceedingly well. Local dukes, bishops, professors and physicians possessed palates that needed pleasing and the nearby vines and merchants served them well.

These wine traditions have endured to this day. “Castilian wines are still made to suit Spanish tastes: powerful, high-strength, full of fruit, with a hint of oak” (The New Spain).

Now, let us take a look at the five wine DOs (Denominación de Origen) of Old Castile

BIERZO
Bierzo is located in the province of León in the far west, bordering on Galicia. John Radford in The New Spain calls it the ‘maverick in the Castilian corral’ for the landscape is a far cry from the dusty, dry, arid slopes of Toro, Cigales, Rueda and Ribera del Duero. This hermetic region (once the location for the headquarters of the Knights Templar) is surrounded by mountains, dwelling in a meditative cocoon of verdant, rolling hills – the Cordillera Cantábrica to the west and north, the Sierra de Cabrera to the south and the Montes de León to the east.

In the time of the Romans, it was a rich, golden landscape. Today it is a coal-mining district although one wouldn’t suspect it by traveling amongst the umber and green mountains.

The most famous variety of the region is Mencía. Wines made from this grape may have notes of leather, cedar, black fruit and barnyard. It is very similar to Cabernet Franc from the Loire Valley. They can range from a gentle, medium-bodied offering to robust and vigorous wines of powerful aromas and fruit.


TORO
Situated on the Duero River, some 150 km southeast of Bierzo DO, the ancient town of Toro rests on a rocky hilltop. To the north, one can see the swaying fields of golden wheat and the old Roman bridge, bleached by centuries of sun, spanning the river. South of the town, one can find the vineyards where a genetic variation of Tempranillo, the Tinta de Toro grape, is planted.

Here, through different propagation methods and at a higher altitude (600 to 700 metres) than Rioja (400-500), the grapes, now accustomed to the harsh summer days and continental climes, are riper with thicker skins. The result is a full-bodied wine with a noticeably darker fruit flavour.

Not only big in flavour, Toro wines are big in alcohol. Even in the Middle Ages, clerics, kings and students all wanted to get their hands on the heady wines of Toro.

Many of these wines are of incredible value and highly rated by the famous American wine critic, Robert Parker. If you enjoy bold and beautiful wines bursting with earth, smoky blackcurrant and dark cherry, check out the wines of Toro.

RUEDA
As you move eastward along the winding river Duero, you’ll find Rueda, a wine region now famous for its bright, crisp, clean whites.

In the days when Old Castile became the frontier, the defeated Moors, out of a sense of revenge, ravaged and pillaged the area from which they were forced to retreat. This devastated landscape (called Tierra de Nadie - ‘The Land of Nothing’) lay fallow for many dreary decades; however, this time of recuperation brought the soil back to healthy fertility. In the 11th century, King Alfonso VI, ruling from Burgos, issued an edict to his people – if you can work the land, it is yours (the decree accompanied by smaller print, of course).

Verdejo, derived from verdugo or “green shoot” is a grape believed to have been brought from North Africa by the Mozárabs. It became the grape of choice for Old Castile. Jerez, which lay in the hands of the Moors, produced the famous oxidized wine of the region. (Verdejo was a perfect substitute because as soon as the grapes were picked, it oxidized all by itself.)

These wines were eventually designated for the king’s court in the 17th century. In the nineteenth century, phylloxera founds its way in and hit the region hard. During the long replanting period, Jerez reclaimed its place as the fortified wine of choice in Madrid and Rueda faded with the memories of fabled kings and queens. Then the Spanish Civil War struck and Palomino replaced Verdejo due to Franco’s new policies.

PACO Y PEYNAUD
The situation looked bleak and foreboding for the Verdejo grape. But thankfully, the world of wine was changing and innovation made its way to Old Castile.

Francisco Hurtado de Améga y Dolagaray (or “Paco” to his friends), director of Marqués de Riscal, consulted his former Professor, Emile Peynaud at the University of Bordeaux. Paco wanted to make a crisp, clean white wine. The two men agreed on Rueda to carry out their project. With the help of modern technology such as stainless-steel vats, cool fermentation, and nitrogen, (an inert gas used to prevent the grapes from oxidizing), they produced the first modern white of Rueda.

If you like New Zealand Sauvignon Blanc, you will most likely love Rueda. Some of these wines have a seductive lime-green component with hints of grapefruit and gooseberry. You can find varietal Verdejo as well as blends with Viura (also known as Macebeo in Eastern Spain) and Sauvignon Blanc.

CIGALES
North of Valladolid lies Cigales, a DO that has recently become synonymous with rosados or rosé wines. The region lies between 700 and 800 metres above sea level where large pudding stone rocks literally litter the vineyards. Here the Tempranillo variation is known as Tinto del País and provides the foundations for most reds and is amongst Garnacha Tinta, Verdejo, Viura (aka Macabeo), Palomino, and Albillo in making the rosados.

While walking though the town, tourists may notice what may appear to be monoliths rising out of the ground. “Called luceras, they act as vents, providing fresh air and a little daylight to the cellars situated ten metres or so below ground. Here the temperature never varies, winter or summer” (The New Spain).

Like Toro, Cigales reds are quite beefy and full-bodied. They are the perfect BBQ wine during the summer and pair extremely well with steak.

RIBERA DEL DUERO
Our final stop is one of the most famous and - one might even say - the crown of Old Castile. Lying at 750-900 metres above sea level, Ribera Del Duero is the place where the finest Tempranillo wines are made. The summer suns are hot but the nights are cool, giving the grape an adequate period for growth and rest. This is incredibly beneficial for the grapes. In a hotter region like Toro, the vine is feeding off the soil 24/7, while here, the vine can close its eyes at night and open them during the day, thus not absorbing nutrients too fast. And you can taste the difference. Toro often produces full-bodied, hefty wines whereas Ribera del Duero’s output is much more lush, mature and deeper. It is the difference between a passionate, stubborn, overzealous wine and a staid, strong, confident, patient older one.

Of the many bodegas found here, Vega Sicilia is the historic jewel of the DO. In the 1860s, Don Eloy Lecanda Chaves came back from Bordeaux with a few French winemaking tricks up his sleeve. Like his two famous peers, Luciano de Murrieta García-Lemone (later Marqués de Murrieta) and Don Camilo Hurtado de Amexage, the Marqués de Riscal (see my Rioja: The Bordeaux of Spain June 2009) he decided to plant French varieties and age his wines in oak to create a French style of wine.

Through trial and error, he found the local grape variety, Tinto del País (aka Tempranillo), fared much better than the French varieties he had imported. He inspired fellow grape growers and winemakers to follow his lead.

After a long period of quality stagnation that began in the early twentieth century, Vega Sicilia and another famous bodega, Pesquera, raised the standard by balancing modern technology with craftsmanship in the late 1970s and ‘80s.

Visiting Ribera del Duero, one will be taken aback at the vineyards which appear as white as snow. The soil is rich in gypsum and trace elements but chalk is what gives them their snowy appearance.

Wines from Ribera del Duero can run anywhere between $12 to $700.00 in our Canadian market. In the higher echelons, of course, is the Vega Sicilia’s Gran Unico Reserva, a wine released after ten years of aging, if not more.

Not too long ago I had a chance to try the 1996. It had to be the closest thing to an out-of-body experience. From the blackberry fruit to the ashes, to the roses and blueberries, I felt like I’d tasted not a wine but the essence of an unforgettable place. (I even wrote a poem about the experience which I might share in a future entry.)

OLD CASTILE IN THE MODERN WINE MARKET
Spain, along with the Chilean and Argentine offerings, gives the best value for the money. Check your Spanish wine section for any of these wines. These DOs of Old Castile are quintessentially Spanish.

Believe me, you won’t be disappointed.

BIBLIOGRAPHY
Crow, John Armstrong, Spain: The Root and The Flower, Berkley, University of
California Press, 1985.
Jeff, Julian, The Wines of Spain. Mitchell Beazley, London, 2006.
Lowney, Chris, A Vanished World: Medieval Spain’s Golden Age of Enlightenment. New York, Free Press, 2005.
MacNeil, Karen, The Wine Bible. Workman Publishing Company Inc. New York, 2001
Menocal, Rosa Maria, The Ornament of the World: How Muslims, Jews and Christians Created a Culture of Tolerance in Medieval Spain. Boston, Little Brown, 2002
Radford, John, The New Spain. Mitchell Beazley, London, 2007.

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About This Blog

My focus is mainly on wine culture, history and education. I love the stories behind wine - the people, places and the regional personalities of the wine-countries around the world.

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